From Esu Crossing the Middle Passage to the Jungle Book, storytelling, integrity and watering

IMG_20160419_144343“After nourishment, shelter and companionship, stories are the thing we need most in the world.”
Philip Pullman

I’ve been almost too busy to blog, which is a lovely feeling. Busy hearing stories, busy listening, busy absorbing, busy eating stories, busy being watered by them.

Being watered by stories speaks to me on a very deep level.  I volunteered for the Toronto storytelling festival this year (2016) and was fortunate to be able to participate in part of the 3 day storyteller’s camp (for adults).  In between picking up the lunch order, helping to find a power cord and answering questions, I was just like any other lucky camper. Bob Barton asked me to decide if I was a circle or a square, a waterfall or fireworks, a kite string or a clothes line. Nicole Fougere had me expressing myself with movement. There were times when I was definitely out of my comfort zone, and “That’s a good thing” (I can’t help hearing Martha Stewart’s voice when I write that) because stretching increases your reach.

When Chirine El Ansary led her workshop she spoke to us about her challenge with adopting the word “storyteller” in English (she is trilingual, and also speaks French and Arabic). The struggle was about the word’s limitations. I can’t quite remember all the categories she mentioned but she told us that in Arabic there are 5 words for oral storyteller, based on the type of story the teller tells. For example, there are historical tellers, and poets (sh’er) but the one I aspire to be (and sometimes am) translates to “waterer” the one who gives the listeners the stories they need to hear. What a beautiful image. Especially at this time of year when the top soil is no longer frozen, the crocuses have bloomed, lawns are getting greener and migrant birds are returning. To water. I see a gentle stream trickling toward a tender plant, or a fine trail escaping from a watering can, and I can hear the plant’s gracious sigh. To water. There is a beauty in the imagery for me because it implies growth. No plant can grow without water, especially seedlings, which are extra sensitive to its lack.

This brings me to Esu Crossing the Middle Passage which I saw on Sunday. Written and performed by d’bi young anitafrika with music and vocals by tuku and Amina Alfred. d’bi is a storyteller who waters, in every sense of the word. She can make you laugh, cry, hold your breath and want to start a revolution all at the same time. For her, stories matter, and “the village” (a.k.a. the audience) matters deeply. Fed, raised and watered by many creative and dedicated people (including her mother poet/storyteller Anita Stewart)  d’bi teaches and tells with 8 core  principles known as the SORPLUSI methodology. (Check the links below for more info.) One of these principles is “urgency” which is demonstrated in part by the very real and  horrifying connections she draws between the bondage experienced by millions of Africans during slavery and the overt-criminilization and incarceration of black bodies on this continent today. She considers her shows to be collaborations, not only with the performers, musicians, choreographers and technicians that contribute to the production but with the village/audience itself.  There is no “fourth wall”. Esu Crossing started in the lobby of the Storefront Theatre, and from that moment I was part of it. Live storytelling has a unique way of feeding the senses, one that 3-D animation and D-boxing can’t replicate. Because of the show’s thoughtful curation, using minimal props, there was a moment when I smelled that earthy, goaty smell of the grease on the mask, and a cowrie shell brushed against my skin. Those sensations, coupled with d’bi’s 360 degree embodiment of the character, took me somewhere, in a hurry. Suddenly I was no longer an observer, instead I was on a boat, seasick and beaten, homesick and disoriented, enraged, determined, hopeful and terrified all at once.

Is it fair to compare a children’s movie made by Disney studios to that very visceral experience?  Probably not, but I’m going to do it anyway. Last Friday I saw The Jungle Book. I’m glad I saw it, the visuals were stunning, 3-D is always fun (I didn’t know what a D-box was until later) but it was so frustrating because I couldn’t find the story anywhere. And finally I remembered that’s why I never really connected with the book. When I was explaining this to someone later they said, “But it’s for children”. Which to me is like saying, “They are just seedlings, so they don’t need as much care,” when in fact the opposite is true. It’s even more important that children are fed and watered with stories that have integrity, stories with meaning, stories that can grow inside them and help them grow. And any child who has been fed on that kind of story will spot the difference, immediately. There is a very well know teller in Toronto, Dan Yashinsky, who titled a book he wrote, Suddenly They Heard Footsteps, for that very reason.  His son had been raised on stories with substance and then one night (as Dan tells it) he was tired and trying to get his son to go to sleep, and was making up a random story to get the job done. His son picked up on this change and (to help his dad along) piped in with, “Suddenly they heard footsteps…”  If I remember correctly, his son was only 3-years-old at the time. Children know, and if we are honest with ourselves, we know. So it’s even more important that we choose the stories we expose ourselves and the children in our lives to with integrity. Life is short. Why spend it thirsty?

Notes and links:

I will be posting more about my experience at the Toronto Storytelling Festival soon

Today’s word: curate – I know it in relation to curating a visual arts exhibit or even a social media page (thanks Kim Katrin Milan). When I looked it up at Merriam Webster on-line it says it’s from Middle English, “to cure the soul” via Medieval Latin and the Latin “to care” so in the above use, I think it’s very appropriate to think of it as “to care for the soul”

d’bi young anitafrika on the SORPLUSI methodology:

What is D-boxing?

What is the fourth wall?  I really like this post:





Singing in the rain

The cure for anything is salt water – sweat, tears or the sea. – Isak Dinesen

There’s something about water that is inherently creative and healing. I find when I’m not creating, one of the fastest ways for me to reconnect with my inner muse is to have a long soak. Epsom salts are a must, so is candle light, and it’s extra nice when I add lavender and olive oil to the tub.
There have been other instances when water was the source of my inspiration. I remember after a particularly scary hail storm, I was traveling and wrote a really amazing story. Funny, it was about a child in the womb. Water, so inspiring, so fundamental.
There are so many ways to enjoy water. Because it’s winter, I’m thinking about skating. How about going to an ice rink, like Harbourfront where the live DJ blasts the tunes while you glide to the beat? Or check out a wave pool, there’s a huge one in Richmond Hill. I was recently at the Regent’s Park Aquatic Centre for a lane swim (and it was free). There is nothing like a swim or a soak in a hot whirlpool to ease muscle pain and relieve stress.
If you are near a lake, river, or the ocean, simply walking or biking along the shore is a lovely way to spend time with nature and get inspired. During the winter, you can find a restaurant with a view of the water, then sit back and enjoy. In the summer, outdoor patios near the beach, boat cruises, splash pads and water parks are all great ways to have fun. In “the six” you can take a ferry ride across the lake to one of the islands. If you check out Centreville there is the memorable log-ride (you will get splashed!) and paddle boats once you arrive. For more adult adventure, try stand-up paddle board, kayaking or canoeing. If you are lucky enough to live or visit somewhere you can snorkel or scuba dive, that can take you even deeper into the wonder-filled underwater world. If not, take a trip to your local aquarium and immerse yourself in the beauty and diversity of the creatures you encounter.

The voice of the sea speaks to the soul – Kate Chopin

Looking for something more relaxing? How about floatation therapy? That’s you in a tank full of Epsom salts, in body temperature water with no other distractions. There is even evidence that floating increases your access to your own creativity. For something a bit more shocking that’s also meant to enhance your immune system, try a spa that offers hot and cold water plunges. If you haven’t tried it, or can’t afford it, you can do a mini-version in the shower by alternating the hot water with cold, naturopaths call it a “contrast shower”. But just so I’m clear, it’s way more fun at the spa!
The best cure-all I’ve found for the “blahs” is a leisurely walk in the rain. It’s most comfortable in a gentle rain on a warm day. You’ll probably find the residential streets will be nearly deserted, and anyone you do pass by, is more likely to smile. After a while, you may even find yourself singing. I know, “Singing in the Rain” is a corny song title, but they wrote the song for a reason.

It is better to dance in the rain than to sit under a leaking roof. – Vikrant Parsai

Whether you drink it, swim in it, float in it or just look at it, whenever you find inspiration in water this week, please share it in the comments. Have a creative, water and inspiration filled week!

I knit my love blue, the indefinable blue of the line that ties the sky to the sea – Leah

A space of one’s own

A woman must have money and a room of her own if she is to write fiction. – Virginia Woolf

Finally, my writing space is ready. It’s not a room but it is a corner so to speak. There is a small stylish desk that I bought years ago and try to keep tidy, with my laptop, journal and a bunch of pens and pencils on top. Beside it is a bookcase with reminders of who I am. My old metal crayon box from when I was a child, with crayons still inside, infused with that lovely waxy scent. On the top shelf is a brass gong, a gift from my great uncle’s house, and a reclining blue Buddha. Another shelf holds a basket of art supplies, so I no longer have to go digging in the cupboard when the urge hits. Beneath that, musical instruments, a small set of bongos I bought in Cuba, a clave, and two shakers, and the odd-one-out, an electric pencil sharpener. This melange is rounded out by a few of my favourite books, alongside blank journals and candle holders. A welcoming space. There is a window over the desk and on the wall beside it, a sepia toned photo of a bare-foot 5-year-old girl, sitting on the grass, looking at flowers. It might not be a room, but it is my own and it reminds me of my commitment to write. And for today, that is enough.

Start writing no matter what, the water does not flow until the faucet is turned on – Louis L’Amore

On Death, Dreaming and Beyonce

Part 1 – Death

It’s been a rough week. It wasn’t what I expected when I went to my social media network feed, but it was there anyway – Death. And because the person who died was the adult child of someone I know, all the walls came crumbling down. Death, it’s a story told too many times in this city. A city cracked at the seams, bleeding out onto the sidewalk, its mask pock-marked with bullet holes. Toronto is supposed to be one of the greatest cities in the world to live in but that’s only on the bright and shiny faux marble surface. That’s only the stainless steel appliance, granite counter top, valet parking, take-out on speed dial, view of the lake – Toronto. Not the city where some feel that walking with a gun and being willing to use it is necessary for survival, for street-cred or to save face. Not the city where too many mother’s and father’s hearts take their last breaths on the pavement, in hallways, in elevators, in parking lots, in cars, on couches, in ambulances and operating rooms. Death.

Part 2 – Beyonce

Beyonce, the video, the controversy, it’s about herstory. It’s about being willing to witness another’s world view and not tell them to be quiet. You can try to make it about whether Beyonce is worshipping capitalism or being legitimately radical with her Super-Bowl half time show and new Formation video. But what’s really important is the fact that we/you/they can no longer ignore the story. It’s the way that “Stop shooting us” scrawled across a wall speaks to you, enrages you, activates you, makes you uncomfortable, terrifies you or makes you think/feel anything at all. It’s about #BlackLivesMatter, #icantbreathe, #BlackGirlMagic and so much more.

Part 3 – Dreaming

When you wake, you find your dreams written indelibly on your skin.

When anyone dies they leave a legacy, a legacy of what was important to them, the lives they touched, and the art they created, it’s all a part of the story. I don’t think that anyone wishes for their legacy to be that their family and friends stop living, grieve indefinitely, or give up hope. But rather that they live broader, act bolder and dream bigger. Here is something from a story I told about my experiences after my father’s sudden death. “There’s this thing that happens when someone dies, you dream and you wake. And when you wake, you find your dreams written indelibly on your skin, and no amount of scrubbing will take them off.”
Please be safe, dream big and encourage someone who needs it. Small acts of kindness can have giant repercussions.

Cultivating silence – the storyteller’s toolkit, part 1

Still waters run deep – proverb

As a teller of stories, as a creator of stories, silence is one of your most valuable tools. Without silence there is no place for the stories to land or to expand. Whether you are making space for understanding a story that you are learning, or maintaining the openness required to imagine something new, silence is your ally. Sitting in stillness or meditating is one of the ways you can cultivate silence but it’s not the only way. Anything that involves repetition or rhythm can have the same effect. Walking, swimming, jogging, knitting, cutting vegetables, dancing, drumming are all great places to start. And yes, dancing and drumming are not exactly silent activities, but if you stick to listening to or playing music without vocals those activities can create a type of inner stillness, energetically very similar to silence, where your mind is free from chatter, a place where you can just be.

The quieter you become, the more you are able to hear – Rumi

Why are you afraid of silence? This is an interesting question for a storyteller to ask her or himself. There are many kinds of silence but in this case I am referring to the golden kind, the silence that feels like a cool rain on sun-baked skin, or fresh water on a parched tongue. The silence that feels like sunshine after a long, gloomy winter, like light dancing on water when the clouds part. Refreshing, inviting, satiating. Why are you afraid of silence? A question I have been asking myself a lot lately, as I watch myself do anything and everything to avoid it, to avoid myself. I don’t have an answer yet but now, having drunk from it recently (at least from the shallows, if not the depths) I am less afraid.

Be the blank page, be the expectant surface.

Silence, the golden kind, is a very important part of the storyteller’s toolkit. Without short silences or pauses your stories can feel rushed, cluttered, like too many words on a page with no white space in between, overwhelming. With practice, silence can be used to create tension and expectation in your listeners, or to allow for a moment for you or them to refocus. Maintaining focus while listening takes a lot of effort, sometimes your audience won’t notice when their attention has strayed, pauses give them a chance to reconnect or to catch up.

Why are you so afraid of silence, silence is the root of everything, if you spiral into its void, a hundred voices will thunder messages you long to hear. – Rumi

In this day and age, our connection to and dependence on technology can be one of our biggest challenges when cultivating silence. We wake up to the incessant beeping of our electronic devices, turn on the radio while we are getting ready for our day or driving to work. Interact through social media or play games on our phones while riding the bus or even when walking down the street. When we finally turn off our devices and take our earphones out, the beeping of bank machines and cash registers, refrigerator doors, coffee machines, and a cacophony of traffic and construction call us out of our reverie. At home and on the street, noise pollution can be an issue, it can raises stress levels, affect hormones, blood pressure, heart rate, concentration and sleep. So you can see why cultivating silence is an essential tool for self-care as well as an important instrument in your storyteller’s toolkit.

The inspiration you seek is already within you, be silent and listen. –Rumi

There is an image that is often referred to when describing writer’s block, and that is the image of the blank page. It is supposed to invoke the fear of having nothing in your creative tank. Is a cluttered page any more inspiring? I think not. When your creativity is overflowing, what you long for is space. Space to move and to dance, space to sing and be heard, a place to jot down notes, a surface to slather with colour, a page to fill. And the page (the audience, the drum, the song, the story) is waiting for you. Be the blank page, be the expectant surface. Take some time to cultivate silence, you may discover it is one of your most powerful create tools.

Only when you drink from the river of silence shall you indeed sing. – Kahlil Gibran

Why storytelling (and life) is like juggling

The only place to start, is at the beginning
You will drop the ball (club, ring, hacky sack etc.)
If you pick up the ball, you can keep going
Telling yourself you are bad/incompetent/stupid/a slow learner (insert your “favourite” insult here) etc. is not helpful
Practice, practice, practice
People will help you, if you ask
People will help you, even if you don’t ask
People will tell you that some things are impossible (ignore them)
People will tell you that you can do it (ignore them too, because of course you are already telling yourself that you can do it!)
You can do it
You won’t be perfect
Perfect is over rated
Sometimes you will be afraid
Sometimes you will have courage
Sometimes you will doubt yourself
Keep going
Blaming anyone (including yourself) is not helpful
Trying is more helpful than not trying
Sometimes you will feel like giving up
Rest is good
So is movement
Holding your breath is not helpful
Your willingness to practice is directly correlated to the audiences’ willingness to watch you
Unless they love you, in which case they will watch you do just about anything
When it works, it’s the best feeling in the world
If you are the only one keeping track of how many times you drop the ball, stop counting
If anyone else is giving you a running tally of how many times you dropped the ball, get out of ear-shot
No amount of practice, education, physical prowess, wisdom or money will protect you from the possibility of dropping the ball
Practice anyway
When you succeed
It’s not dropping the ball that matters
It’s your willingness to pick it back up

Juggling props and hand print




Why names matter

Proper names are poetry in the raw. Like all poetry they are untranslatable. ~W.H. Auden

In one of the storytelling circles I attend, the host often asks new listeners what their name is, and the story of their name. I’m always fascinated when people don’t actually know what their name means, or what language it’s from and the translation of the word. I concede that it is a bit strange how few names in English have an obvious correlation to the language, such as Rose, Opal, Ruby, Pearl, April, May and June. In fact, right now I can’t think of any male names that fit the pattern. Perhaps it’s the storyteller in me that can’t wrap my head around not needing to know. As far as I”m concerned, names matter. Maybe it’s because I was named after my paternal grandmother, who died when my father was only four-years-old. She was a woman unique to her time, as she owned and ran three hair salons during the depression. Someone my father’s boyhood memories could not expand on. My grandmother Leah’s dark eyes called me, mutely, from sepia-toned photos. I felt the only connection I had to her was our name.

How could I have known how deeply one’s name is connected to their identity, to their humanity? I didn’t know it, but I sure felt it.

Xmas project 059-001
My grandmother, Leah Dupuis

Names matter. During the transatlantic slave trade, captives were routinely striped of their names, and forbidden to speak their mother-tongue, or any language not understood by their captors. link The same tactics where used against First Nations and Inuit children attending Residential Schools in Canada. link In both cases there were times when the renaming or un-naming also became numbering. Some of your may know of the numbered tattoos that inmates of the notorious Auschwitz concentration camp were given during WW II. What is less well known is that in the 1940s Inuit in Canada’s north were given identifying numbers, on identity tags, numbers that were often used instead of names. All such dehumanizing practices have the potential to leave scars, the kind that can’t be removed by lasers. link

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The little green warrior

When I was in JK, my mother was summoned to the school because the French teacher had a problem with my attitude. I remember refusing to answer to her in class because she insisted on calling me “Lay-ah” as opposed to “Lee-ah” as I was accustomed to hearing. To put it in perspective, I was a very compliant child, most of the time. So getting in trouble at school was something that rarely happened. I found the teacher’s refusal to pronounce my name correctly (when it was clear to me she could) intensely insulting. My name was not French and I didn’t see the point of making it so. Then the little green warrior inside me stood up and roared, and I explained to her once, that “Lay-ah” was not my name. After that I remained silent, stone-faced, and refused to respond when she called on me. As an adult I wish I could go back and stand behind my four-year-old self, with silver pom-poms, cheering, “Give me an L, give me an E, give me an A, give me an H!” How wise and brave that little girl was! I don’t remember the outcome (and my Mom has forgotten this story) but I look fondly on the memory of that rare show of defiance. (Ironically my great grandparents and my grandmother spoke French, so they probably would have pronounced her name the way my teacher did, but I didn’t know that at the time). Of course I was too young to understand that not everyone has the luxury, of silence, of defiance. How could I have known how deeply one’s name is connected to their identity, to their humanity? I didn’t know it, but I sure felt it.

I wish I could go back and stand behind my four-year-old self, with silver pom-poms, cheering.

Names matter. Names have power. Names carry history and meaning, tell stories, speak of our lineage and reflect something of who we are. Learning to remember and pronounce someone’s name is a matter of respect. Listening to their story opens the path for deeper communication.

green danu flow cropped black and white
Danu, pastel on paper, by Leah

Why your story matters and historical revisionism

barbed wire at sunset
Barbed wire, south coast, Jamaica

When we speak we are afraid our words will not be heard or welcomed. But when we are silent, we are still afraid. So it is better to speak. – Audre Lorde

I’m feeling more than a little sick.  I went to listen to a talk at the AGO last night given by Charmain Nelson and I’m still trying to recover from one of the facts she stated during her presentation. She said that during years of teaching at a Canadian university (McGill) she asked her students to raise their hands if they knew there was a history of slavery in Canada and that none of her Canadian born students raised their hands. None. Let that sink in for a minute.

If I didn’t define myself for myself, I would be crunched into other people’s fantasies for me and eaten alive. – Audre Lorde

Really?  None? I knew that there were huge gaps in the curriculum in elementary and high schools in Ontario (the only place I went to school so I will stick with that). And of course all history is written by the people who have the power to write, repeat, fashion, shape and revise history. And yes, many have heard of Harriet Tubman and how she carried slaves on the Underground Railway from the US to freedom in Canada. But somehow it is never mentioned that there was a time before that when there  wasn’t anywhere on this continent to escape to. And before Africans were kidnapped and brought to North America, the indigenous people of this land were also enslaved. link

When the ax came into the forest, the trees said the handle is one of us. – Alice Walker

I actually didn’t realize that in 2016, there was still such ignorance out there about the way this country was “settled”.  It’s something I think we should be talking about more. It is “the elephant in the room” whose shadow is cast across this land (yes it’s a mix metaphor but so be it). And it is our collective responsibility to see that the fullness of this history is taught in our schools. And for those of us who did not learn this history in school, it is our responsibility to seek this information out ourselves. Black History, First Nations and Inuit history. The history of settlement and the history of our discriminatory immigration policies.

The only person who can tell your stories from your perspective is you. Period.

One thing I read in regards to the recent Truth and Reconciliation committee findings regarding Canada’s history of Residential Schools was that Canadians should take the time to educate themselves about First Nations history. It’s seems to be the best option, until that history becomes a part of the curriculum. I recently heard an interview on CBC where Audrey Rochette said that during a university class she was attending, when the topic of the Canadian Residential School system came up, students were actually crying. Crying because this was their first exposure to the topic. First.  Here is the link to the interview: link

Not everything that is faced can be changed, but nothing can be changed until it is faced. – James Baldwin

On historical revisionism: there is a sin that Catholics call “the sin of omission” and as far as I know it is considered as serious as a lie. When you omit something of course, it means you leave it out. That’s why people in court are asked to swear to tell the whole truth. Obviously there is a lot of history missing in what passes for the “Canadian History” that is taught in our schools. I thought more had changed since I was in school (over 30 years ago). And I am beyond shocked, I am actually disgusted. Some of this shock I reluctantly admit lies in the White Privilege I carry with me. I have the luxury, on a daily basis, of forgetting (if I choose) how much work is still left to be done, and of ignoring how much racism remains a reality in Canada.

As a storyteller these omissions, more accurately called “lies” are among the reasons I believe so strongly in the power of  people telling their own stories. And one of the reasons I tell mine. If I don’t, who will? And through what lens? My belief is that the only person who can tell your stories from your perspective is you. Period.

All history is written by the people who have the power to write, repeat, fashion, shape and revise history.

There is so much more to say, but for now I will leave you with some resources:

The Freedom Seekers by Daniel G. Hill, the first Director and later the Chair of the Ontario Human Rights Commission. Daniel G. Hill is the father of Lawrence and Dan Hill. Lawrence Hill an author and wrote the acclaimed novel, The Book of Negroes, (which has been made into a mini-series by CBC) Dan Hill is a Grammy and Juno award winner, musician, producer and author. The brothers grew up in Don Mills, which at the time was a suburb of Toronto.

Truth and Reconciliation Commission Canada

APTN History Archives

The Ontario Black History Society

Black History Ottawa

Truth and Reconciliation on CBC

Marie-Joseph Angelique


Why spiderweft?

I’m a bit of a nerd, and when it comes to words, a total nerd. I love words (and they love me back, at least that’s how I feel) so let’s go with that.

weft – the horizontal threads in a fabric or on a loom. The vertical ones are called the “warp”. And while technically spiders don’t weave in the hash tag patterns that humans have adopted (i.e. copied from observing nature) it is a very “weaverly” word, and so I chose it. It also has a nice feel when spoken aloud, and rhymes with “heft” which gives it some weight.
spider – what isn’t there to like about spiders? Unless of course one is dangling menacingly overhead in the shower or crawling across your face in a nightmare – and hopefully, never, never in person! Yes, I used to be terrified of them, and now, fortunately, am much less afraid.
Spiders are a very powerful symbol in “mythology” (more on “mythology” later). And except for the very far north and south of the globe, beyond the tree line, I’m pretty sure they are everywhere.
alphabet – in some cultures, spiders are considered to be the creators of the written alphabet. As a storyteller I have great respect for the spoken word. But as a reader and writer, I am fascinated by the written word. And the first time I came across the idea of Spider as the creator of the alphabet I remembered reflecting on one of the things I used to think to myself as a very young reader, “What is the spider thinking?” You know the little teeny, tiny red ones, not much bigger than an asterisk that sometimes crawl across your page when you are reading outside? “What is that spider thinking of as it crawls across this page, and across the words that have so much meaning for me? What is it thinking, what is it aware of, and what am I moving or walking across every day that I don’t understand is even there?”

I like the idea of a web, a web in terms of connection. Some people speak of a web of energy that connects all living things on the earth. And there is an awesome web of fungi in the soil that connects plants to each other by their roots. Really. It is mind-blowing. Read more here.

The trick with webs is that you have to know what your relationship is to them.

For the more scientific-minded there is the world-wide-web a.k.a. the internet or “www”. Sometimes it’s hard to imagine life before it. Before it was possible to connect with friends and strangers at the click of a mouse or a touch on your phone. Before it was possible to find out the answers to random questions at any time of day or night, such as “How many months is a cat pregnant for?” “How to crochet a slip knot.” and “What does ineffable’ mean?” The idea of social and business networks also has a web-like feel.

The trick with webs is that you have to know what your relationship is to them. Are you the weaver or are you the prey? For me, the web is a great resource and way to interact with others but at the same time, it can be a tool I use to disconnect from myself. Finding balance is an ongoing process.
When I see a spider, I often ask myself if I have been neglecting my writing. The bigger the spider the faster I ask! Sometimes Spider is a sign that I need to get back to my creative pursuits, and sometimes s/he is a confirmation that I am going in the write/right direction.
Today’s questions for myself: Am I the weaver or am I the prey? What relationship do I have to others through networks? And are these networks beneficial or detrimental (in both directions)? As a writer, and storyteller, how do I connect to others doing similar work? How do I connect to the audience, reader or “village” and how does that energy affect me? Have I been giving adequate time to my creative pursuits? If not, why?

Links to Spider, creation and weaving lore, all links are meant to be jumping off points if you are interested in learning more:
Anansi comes from a Twi language and means “spider”. See more on the Twi language here.
Although this link is written for a younger audience, it gives a good overview of Anansi, Anancy, Aunt Nancy, the spider trickster brought to the diaspora from West Africa during the slave trade. Anansi is known as the keeper of the stories.
Spider in Celtic lore.
Spider appears variously as the creator of the world and/or textiles/weaving and the alphabet in many Aboriginal traditions, across North and South America:
Spider as creator.
And Spider appears in Greek lore
If you find interesting links in your search, please share them.